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Naumann Johann Gottlieb (1741-1801)

Naumann

La Passione di Gesu Cristo (1767)

Aria Pietro “Se a librarsi in mezzo all’onde”

Tenor fagotto obligato, strings                                        

See link to on-line solo fagotto part and the Padua cadenzas.      

The Italian Oratorio vol 27 Garland Publishing,

1986 Ed Howard E Smither pp 123-167,

Sächsische Landes-Staats-und-Universitätsbibliothek Dresden.

Mus 3480-D-7 (Bd1-2)

CD  La Stagio Armonica, Balestracci cpo 777 365-2, 2008 CD 2, track 12

http://www.classicsonline.com/catalogue/product.aspx?pid=692347#

YouTube (recit and aria, Aligi Voltan): http://www.youtube.com/watch?v=HZTEl6_dpR8

This is a bassoon obbligato in classical concerto style!

Performance time 12 min.

In Padua, there is a score of this aria with only the voice, bassoon and

continuo parts but with added bassoon cadenzas .

(Archivio Musicale della Capella Antoniana Padova D IV n.1465).

(This aria is in Naumann's  Padua 1767 setting of La Passione,

but is not in the 1787 Dresden version.)

 

It is notable that at least four composers wrote bassoon obbligati for tenor

arias in their settings of Metastasio's La Passione.

Naumann and Salieri: Pietro “Se a librarsi in mezzo all’onde incomincia il fanciulletto”

Paisiello: Giovanni “Dovunque il guardo giro”

Lucchesi: Giuseppe “Torbido mar che freme”,

 

Il Villano geloso Dramma giocoso per Musica (1770)

Arie des Pierroto “La notte, oh Dio non dormo”

Tenor, obligato fagotto, strings, oboes, horns

Conservatoire royal de Bruxelles, Bibliothèque, B-Bc/ 2227, pp 73-107 RISM 706000424

Sorø Akademi Bibliotek, Sorø, Denmark. Shelf R336, RISM 150201677.

 

L’Achille in Sciro (1767)

Recit “Che vidi che ascoltai”, Rondo Ah se perdo”

Soprano, oboe primo solo, fagotto primo solo, strings, oboe 2, fag 2, horns

Universitäts- und Landesbibliothek, Münster, RISM 450.001.120

 

La Clemenza di Tito (1769) Scene 15a

Aria: Vitellia "Tremo fra dubbi miei pavento", preceded by recit "Misera che faro"

Soprano, obligato oboe, obligato fagotto, orchestra

Sächsische Landes-Staats und Universitätsbibliothek, Dresden.

D-Dl Mus-3480-F-3, Band 2; RISM 270002590.

 

Acis and Galatea (1801) Act 1, #11 “Chi non soffre, chi non pena”,

Soprano, tenor, two bassoons, orchestra                           

Act 2, #21  “Dolce oggetto di mie brame”,

Soprano, clarinet, bassoon, orchestra                

Score on-line at http://www.opernprojekt.uni-koeln.de/

Act 1, pp 110-8, Act 2, pp 226-38.

CD Bernius, Stuttgart Orfeo C222 022 CD 1 track 11, CD 2 track 21.

http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dpopular&field-keywords=Naumann+Acis&x=18&y=19

YouTube: http://www.youtube.com/watch?v=lHTrbjl_ouY

 

La Dama soldato (1791)

Act 2, Canzonetta “Vino vecchio e donne giovani”

Trio, SSB, oboe, bassoon, orchestra

Act 2, “L’amor che m’accende”

Soprano, solo oboe, solo bassoon, orchestra

Score on-line at http://www.opernprojekt.uni-koeln.de/

Act 2, pp 41-65, 88-105.

 

Protesilao (Pasticcio) (1789)

Aria  Pilade “Sento che un freddo orrore

Tenor, solo fagotto, orchestra

RISM 451.015.435

Santini-Bibliothek Münster Germany

D-MÜs  Shelf No. SANT Hs 2809

This work was in part written by Johann Friedrich Reichardt