Vocal works with Clarinet (Chalumeau) and bassoon c.1700-1850
Arias by composer, alphabetically
See composer listing for details of published and unpublished
sources, recordings and YouTube links.
Danzi, Franz Ignaz (1763-1826)
Turandot, Cavatine # 16, “Holder Schlummer senk dich nieder”
Tenor, 2 corni di bassetto, 2 fagotti, strings
Donizetti, Gaetano (1797-1848)
L’elisir d’amore. Romanze de Nemorino
“Una furtiva lagrima”
Tenor, clarinet, bassoon, harp, orch
Fasch, Johann Friedrich (1688-1758)
Pentecost Cantata “Sanftes brausen, süsses Sausen” FWV D:S2
Bass, chalumeau, oboe, fagott, strings, continuo.
Graupner, Christoph (1683-1760)
Numerous Graupner cantatas feature one or more parts for chalumeau
The complete scores and parts of most of his cantatas are now on-line at
http://creator.zoho.com/floxoip/graupner_gwv/view-perma/MS_online/
Graupner cantatas with obbligato bassoon and chalumeau together include the numbers:
444.27, 445.12, 456.30, 451.58, 461.32,
Haydn, Joseph (1732-1809)
Harmonie Mass #14 Hob XXII:14 Agnus Dei
SATB, oboes, clarinets, bassoons, orchestra
Mozart, Wolfgang Amadeus (1756-1791)
Davide penitente K 469, # 6 “A te fra tanti affanni”
Tenor, flute, oboe, clarinet, bassoon, orchestra
#8 "Tra l'oscure ombre funeste", soprano, orchestra
Terzetto KV 480 “Mandina amabile”,
Soprano, tenor, bass, 2 clarinets, 2 fagotti, orch
Marriage of Figaro KV 492
Aria Act 4, "Al desio di chi t'adora", "To the desire of she who adores you"
Soprano, 2 basset horns, bassoon, horn, strings.
(This is an alternative aria used in some later performances)
Acis and Galatea K 566 (revision from Handel)
Aria and chorus “So ist mein Acis denn dahin”
Soprano, ATTB, 2 clarinets, 2 bassoons, horns, strings.
Paër, Ferdinando (1771-1839)
Sofonisba, 1805, PaWV 31
Aria “Vado a svenar” (Siface)
Tenor, solo clarinet, solo bassoon, orchestra
Paisiello, Giovanni (1740-1816)
Il Ritorno di Perseo Cantata a tre voci, 1789
Aria #5 “Ah fate, o Dio di pianto”, larghetto, allegro,
Alto, fagotto solo, 2 clarinets, 2 trombe, strings
Il Barbiere di Siviglia Act 3, #13 Rosina “Gia riede primavera”
Soprano, clarinet, bassoon, orchestra
Aria "O virgo gloriosa"
Soprano, clarinet, bassoon, orchestra
This is a re-setting of "Gia riede primavera" from his Barber of Seville
La passione di Jesu Cristo (Metastasio)
Aria, part 2, Giovanni “Dovunque il guardo giro”
Tenor, fagotto solo, 2 clarinets, 2 horns, strings
Reichardt, Johann Friedrich (1752-1814)
Opera Rosmonda (1801)
Duettino “Or scendano il piacer e le grazie fra voi”
Soprano, solo clarinet, solo fagotto, strings
Hymne Miltons Morgengesang (1808)
Duet für Diskant und Tenor “Ihr Lüfte weht zu seinem Lobe”
Soprano, tenore, solo clarinet, solo fagotto, violoncelli e violone
Righini, Vincenzo (1756-1812)
Il Trionfo d'Arianna
Aria "Questo raggio lusingiero"
Soprano, clarinetto solo, fagotto solo, orchestra
Ryba, Jakub Jan (1765-1815)
Due Arie in B et Es
Basso, Clarinetto 1,2, fagotto, corno 1,2, strings, organum
“Eloquia Domini, eloquia casta labia hominum”
Solo clarinetto, solo fagotto
“Et factus est Dominus re fugium pauperi”
Solo clarinetto, solo corno (or fagotto)
Sarti, Giuseppe (1729-1802)
Fra i due litiganti
Le Nozze di Dorina
Terzetto “Oh che orrore che spavento”
Canto, tenore, basso, obl clarinetto, fagotto e corno, strings.
Telemann, Georg Philipp (1681-1767)
Sieg der Schönheit TVWV 21:10
“Placidia, mein schönstes Kind”
Bass, 2 flauti dolce/chalumeaux, fagotti, strings, continuo