Caldara, Antonio (1670-1736)

Joaz, Part 2, “Cosi a fiume, cui rigido ghiaccio”,

Alto, trombone (alto) e fagotto, continuo.         

Facsimile, Garland Publishing 1986, vol 12, pp 122-135.

Ed Howard E Smither from Mus Hs 17129,

Österreichische Nationalbibliothek, Wien

 

Missa dolorosa

Gloria, #6 “Domine Fili”,

Tenor, bass, fagotto solo, continuo                                              

Denkmäler der Tonkunst in Österreich, vol 26, 1906, pp 78-81

On-line:http://imslp.org/wiki/Missa_dolorosa_%28Caldara,_Antonio%29

and Carus Verlag 40.680, 1980, pp 30-33.

YouTube (+4.40 min):http://www.youtube.com/watch?v=X_9Pgov6n7Y

CD Clemencic Naxos 554715, track 16

http://www.classicsonline.com/catalogue/product.aspx?pid=3727 

 

Dafne Dramma pastorale  Aria “Buon pescatore”,

Bass, 2 oboes, bassoon, continuo.          

Denkmäler der Tonkunst in Österreich, Vol 91, 1955, pp 71-74.

 

Nigella e Tirsi

Aria “Se quel rio fosse contento” (Tirsi)

Alto, 2 fagotti, cello, continuo

Max Reger Archiv, Meiningen,

(D-MEIr/ Ed 118q, XI 4686/V NHs 28)  RISM 201009267

http://opac.rism.info/index.php?id=6&no_cache=1&L=0&tx_bsbsearch_pi1[query][0]=Caldara%20Nigella&tx_bsbsearch_pi1[id]=201009267#1111

incipit 1.4.1, 1.4.2.

CD Lautten Compagny,  Berlin Classics 00117902, track 5

YouTube: http://www.youtube.com/watch?v=M2oSAslg3-o

 

Euristeo (1724)

Aria “Sotto un faggio”

Alto, chalumeau, traverso, fagotto, continuo

Österreichische Nationalbibliothek A-Wn Mus. Hs. 17 184

 

Sancho Panza, Governatore della’Isola Barattaria (1733)

Aria “Se la vendetta”

Bass, violoncelli e fagotti unis.

Österreichische Nationalbibliothek A-Wn Ms.Hs. 17 159, Bd 2, 54r.

Incipit, Glüxam p 513

Aria “Vittoria, Vittoria”

Bass, fagotto, continuo

A-Wn Ms.Hs. 17 159, Bd 3, 70v.

Incipit, Glüxam p 514

 

Mass in C: “Domini fili”

Bass, fagotto solo, continuo

Staatsbibliothek zu Berlin - Preußischer Kulturbesitz

D-B/ Mus.ms. 2731/1, film 5332,  RISM 452002714(parts)

There are alternative fagotto and basso parts in Bb.

The intended fagotto apparently had no low Bb.

D-B/ Mus.ms. 2730, RISM 452002714 (score)

 

Oratorio: Morte e Sepoltora di Christo

Aria (Maria Maddalena) “Deh sciogliete ò mesti lumi” 

Soprano, 2 violas, fagotto, continuo

Staats-und Universitätsbibliothek Carl von Ossietzky, Hamburg

D-Hs/ ND VI 939 (Nr. 1), pp 5-8, RISM 451513028

Bayerische Staatsbibliothek, München (D-Mbs/ Mus.ms. 715), 4r - 6v.

RISM 456008544

 

Oratorio: Maddalena ai piedi di Cristo

Part 1, Aria “Spera, consolati” soprano, 2 fagotti, strings, continuo

Part 2, Aria “Chi drizzar di pianta adulta” bass, 2 fagotti, strings, continuo

Part 2, Aria “Del senso soggiogar” tenor, organ obbl, fagotto, strings, continuo

Österreichische Nationalbibliothek, Wien, Mus.Hs.17101

CD Harmonia Mundi HMC 905221.22, Schola Cantorum Basiliensis, Jacobs

CD1, track 12, CD2, tracks 17, 21.

 

Gionata  Aria del Oratorio “Occhi, che vi fissate nel sole“

Bass, 2 fagotti, continuo.

In addition to the Sammelband transcription listed below, a score

of the complete  oratorio is at the Bayerische Staatsbibliothek, München

(D-Mbs/Mus.ms.710) RISM 456008537  This aria is on pp 166-75.

 

Mitridate, Aria dell”Opera, “Scocca dall” alto il fulmine”,

Tenor, 2 vln. vla, fagotto, continuo

Österreichische Nationalbibliothek, Wien, Mus.Hs.17142. 1-5 Mus

 

Il due Dittatori,  Aria dell”Opera

“Non dovria chi impera e regge”,

Bass, fagotti concertati, continuo

Österreichische Nationalbibliothek, Wien, Mus.Hs.15903. 1-5 Mus

 

La corona d'Imeneo 

Aria “Non vuol’già spargere”

Bass, fagotto solo, strings, continuo

Max Reger Archiv, Meiningen

Ed 118m, pp 75r-94r

http://opac.rism.info/index.php?id=6&no_cache=1&L=0&tx_bsbsearch_pi1[smode]=simple&tx_bsbsearch_pi1[query][0]=D-MEIr%20Caldara%20fag%20&tx_bsbsearch_pi1[submit_button]=Suche&tx_bsbsearch_pi1[id]=201009348#1111

incipits 1.20.1, 1.20.2.

 

Gerusalemme convertita 

Aria “Dal primo Vento infido forci la debil prora”

Bass, fagotto solo, violini unis, viole, continuo

Max Reger Archiv, Meiningen

Ed 118p, pp 67r-72v.

http://opac.rism.info/index.php?id=6&no_cache=1&L=0&tx_bsbsearch_pi1[smode]=simple&tx_bsbsearch_pi1[query][0]=Caldara%20Gerusalemme&tx_bsbsearch_pi1[submit_button]=Suche&tx_bsbsearch_pi1[id]=700001005#1111

incipits 1.3.1, 1.3.2.

 

The following three eighteenth century transcriptions are from a volume of arias with

obbligato bassoon(s) in the Musiksammlung der Österreichischen Nationalbibliothek.

Mus. Hs. 17051, (Livero Terzo). (See details "12 Vienna arias")

Permission has generously been given to reproduce incipits here.

 

Mitridate, Aria dell”Opera, “Scocca dall” alto il fulmine”,

Tenor, 2 vln. vla, fagotto, continuo

A modern edition of score and parts for this aria is

reproduced here with generous permission from

Mélodie Michel and Ricardo Simian, Basel.

 

Gionata,  Aria del Oratorio, “Occhi, che vi fissate nel sole“,

Bass, fagotti, continuo. See above for complete score.

 

Il due Dittatori,  Aria dell”Opera

“Non dovria chi impera e regge”,

Bass, fagotti concertati, continuo.

 

Il nome più glorioso, Aria "Se vedrai avvampar le lucciolette"

Soprano, 2 oboes, bassoon, strings, continuo

Österreichische Nationalbibliothek, Mus.Hs.18238

YouTube:

http://www.youtube.com/watch?v=7pRCDrSDhrc

 

Reference: Glüxam, Dagmar

“Instrumentarium und Instramentalstil in der Wiener Hofoper zwischen 1705 und 1740”,

pp 501-31 .  Hans Schneider Verlag, Tutzing 2006 www.schneider-musikbuch.de